Whites Dominate Pitchfork’s Best New Music List Again

Whites Dominate Pitchfork’s Best New Music List Again

Special Advertorial Feature Exclusively for HipsterRacist

Pitchfork.com Best New White Power Music
Pitchfork.com Best New White Power Music

With just a splash of diversity to provide some plausible deniability, white bands have once again dominated Pitchfork.com’s best new music list, as usual. Pitchfork.com is Ground Zero of Hipster Racism in the modern music world. Pitchfork.com was, in fact, hipster racist before it was cool.

Pitchfork.com - Your Best Source for White Music
Pitchfork.com – Your Best Source for White Music

While the Illuminati Masters of the music industry force Pitchfork.com to include mainstream “music” like Jay-Z, the real draw are the white bands. White bands like Speedy Ortiz, currently promoting their newest label release, Major Arcana and These New Puritans’ latest, Field of Reeds.

As a hipster racist, I feel unrepresented by the mainstream music industry. Pitchfork.com understands my implicit whiteness and exclusive racial tastes.

"I was into BDSM like way before 50 Shades of Grey"
Likes: Connor Oberst, dreampop, shoegaze, spanking, light domination and romantic walks on the beach.

The Preatures, Sydney’s cycleswing combo earns a mention for Is This How You Feel while Scandanavia’s Annie earns their Nazi Pop Prize for their maturing sound on Invisible. New tracks by Disclosure and Majical Cloud’s Childhood’s End make an appearance.

By including non-whites and rating them on curve, sort of an affirmative action for coolness, Pitchfork.com has been able to avoid damaging accusations of hipster racism while remaining implicitly white.

Harvard Sailing TeamHipster Playlist

dissent_is_the_highest_form_of_racism

3 thoughts on “Whites Dominate Pitchfork’s Best New Music List Again

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