Whites Dominate Pitchfork’s Best New Music List Again
Special Advertorial Feature Exclusively for HipsterRacist
With just a splash of diversity to provide some plausible deniability, white bands have once again dominated Pitchfork.com’s best new music list, as usual. Pitchfork.com is Ground Zero of Hipster Racism in the modern music world. Pitchfork.com was, in fact, hipster racist before it was cool.
While the Illuminati Masters of the music industry force Pitchfork.com to include mainstream “music” like Jay-Z, the real draw are the white bands. White bands like Speedy Ortiz, currently promoting their newest label release, Major Arcana and These New Puritans’ latest, Field of Reeds.
As a hipster racist, I feel unrepresented by the mainstream music industry. Pitchfork.com understands my implicit whiteness and exclusive racial tastes.
The Preatures, Sydney’s cycleswing combo earns a mention for Is This How You Feel while Scandanavia’s Annie earns their Nazi Pop Prize for their maturing sound on Invisible. New tracks by Disclosure and Majical Cloud’s Childhood’s End make an appearance.
By including non-whites and rating them on curve, sort of an affirmative action for coolness, Pitchfork.com has been able to avoid damaging accusations of hipster racism while remaining implicitly white.