It’s the new hip thing among the smart set, we’re told by the Mockingbird media. The CIA began dosing unsuspecting people with LSD in the 1940s, and when MK-Ultra was starting to get more public exposure – and pushback – they created “Acid Tests” and convinced people to become hippies, “turn on, tune in, and drop out.”
For the last few years the media has been pushing LSD again, this time telling people that all the smartest, richest people in Silicon Valley are doing it.
Take drugs! They will make you smart and rich! All the best people are doing it!
The best way to stop a revolutionary movement is to drug the leaders into a stupor.
The Kallikak Family: A Study in the Heredity of Feeble-Mindedness was a 1912 book by the American psychologist and eugenicist Henry H. Goddard. The work was an extended case study of Goddard’s for the inheritance of “feeble-mindedness,” a general category referring to a variety of mental disabilities including mental retardation, learning disabilities, and mental illness. Goddard concluded that a variety of mental traits were hereditary and society should limit reproduction by people possessing these traits.
I keep going back and forth on this one. When I first heard about it, I figured “yeah it doesn’t surprise me at all that these people would be into some sick shit.”
Then I looked into it a bit more and it seemed highly exaggerated. The whole “pizza code” did, in fact, read like code, but I just assumed it meant “weed” and “cocaine” or something. A few pieces of “evidence” turned out to be seemingly quite innocent and others turned out false.
But then I learned a little more and I thought, huh. Then I was informed that there was a massive “Correct the Record” internet spam campaign being used to attack Pizzagate all over the internet – just like the coordinated and funded “9/11 liars movement” I remember from 2001 to, um, 2016. If someone is paying the astro-turfers at call centers in India to troll random internet forums to quash some rumor – there’s a reason for that.
Then I was informed that all of these child stars – those most likely to have been pimped out in Hollywood and the like – have for YEARS been making really overt references to some sort of “Pizza Culture.” Miley Cyrus, for one, and even that kid from “Home Alone” started a very weird Velvet Underground cover band, but changed all the lyrics to lyrics about … pizza … and makes videos about … pizza.
The Simpsons has, apparently, been making weird sexual jokes about pizza, right under everyone’s noses, forever. I’ve seen those ridiculous “Simpsons predicted 911” videos and I think it’s all people just smoking too much pot, frankly, but I’ll be damned if I can understand the jokes unless it’s something sexual to do with pizza.
So now most of the top pro-white sites – the serious ones, like AR, CC, and TOO, and other sites like Unz.com, have all published about pizzagate.
So – what do my readers think? Is there really something to this pizzagate thing?
mk ultra strain all urine
who is the gold standard of beauty
illuminati celebrities gay for fame vulnerable hipster girl slut
bdsm satanism 1
racist lines in 50 shades of gray 1
good rewards for a good submissive 1
beautiful redheads 1 hipster bondage
couple domination submissive submissive sex
porn sexy collar dog girl
hot redhead big ass
snortn coke off tits when did miley cyrus join illuminati?
submissive ladies leashed
slutty redhead teen gif
tied up gif john prine racist hipster conspiracy
eyes wide shut party
spank snow white
pregnant high school whore is easy
alpha fucks beta bucks niggers getting skinny eating dennys
submissive hipster girl
porn sexy collar dog girl
snortn coke off tits would my girlfriend like bdsm on cocaine
high class redhead and black head lesbians
flogging miley owsley feminist spanking
hot redhead big ass
sexy redheads with nice asses
snort coke strippers ass
bdsm spank torture rape is sexy
love spanking portland hipster racism the grateful dead racism
slut with collar eyes wide shut parties real
hot ass redhead
During that process, a lot of things developed and were allowed to develop, necessarily, at least they thought they were necessary, that are kind of, incompatible or don’t work good with a free and open society. … I say what Bill used to say, if it’s done right, you’ll never know who did it, or why. … And in this case, in my own mind, I absolutely do not believe the man went out, fell out of his canoe, and drowned. I believe, for whatever reason, he was a thorn in somebody’s side, and he had to be shut up and that’s what occurred. — John DeCamp, author of The Franklin Cover-up, on the death of former CIA director William Colby
If I could get any animal it would be a dolphin. I want one so bad. Me and my mom went swimming with dolphins and I was like, ‘How do we get one of those?’ and she was like, ‘You can’t get a dolphin. What are you gonna do, like, put it in your pool?’ — Miley Cyrus
The bears on the album cover are not really ‘dancing’. I don’t know why people think they are, their positions are quite obviously those of a high-stepping march. — Augustus Owsley Stanley III (“Bear”)
Yes, Miley Cyrus is an Illuminati Mind Control Slave, programmed with the Beta Sex Kitten routine. See, what you do is you tie them up, and … oh, wait, never mind, I’ve said too much.
No, I haven’t forgotten about the Flogging Miley series, that started with her unusual video for We Can’t Stop (Flogging Miley Part 1) and went on to tell the story of CIA agent Miles Copeland Jr. (Flogging Miley 2) and his sons, who all ran various interesting and maybe even spooky parts of the music industry back in the 1980s. We covered CIA programs like the infamous MK-ULTRA and the operation to feed MK-Ultra to the press (Operation Dormouse) in order to distract attention away from the real scandal, Operation Artichoke. In the last installment, we covered how the ultimate drug of the 1960s Hippie Generation – LSD – was introduced to the general public by the CIA and those working with them. In context, LSD was essentially a chemical weapon used by the CIA for a long time, and at some point, tested on many willing and unwilling Americans in the 1950s through the 1970s, and perhaps longer, in fact, perhaps continuing to the current day.
So all of a sudden, LSD moves out of the CIA secret operations to the universities, which do more or less scientific research with varying levels of controls. Then, it’s make illegal. Timothy Leary famously starts a quasi-religious LSD cult on campus, is fired, then helps head up a counter-culture LSD trend which is given mainstream and positive press coverage by the Luce Family’s media empire, especially Time Magazine. Writer Ken Kesey and a bunch of proto-hippies hold private LSD parties called “acid tests” (a very fitting name, if you think about it) then LSD goes public with a series of music festivals held across the country, most famously Woodstock but starting with the Monterey Pop Festival in California. Massive quantities of LSD are given out for free or cheap to the attendees and the drug becomes an integral part of the new counter-culture.
Well, someone had to make all that acid, and the man that did was called “Bear.” Bear was a sound man for the Grateful Dead, the proto-typical “acid rock” band of the era, and it was Bear that introduced Ken Kesey to LSD and held the first mass LSD experiments Groovy Acid Tests.
Of course, “Bear” was just a cutesy nickname, likely meant to evoke the hip mythology of the time, maybe a trucker, some redneck turned hippie, perhaps even with Genuine American Indian ancestry. Bear’s real name was Augustus Owsley Stanley III and he was no trucker; he was the scion of one of the wealthiest and most important political families in America. His grandfather had been Governor, Representative, and Senator of Kentucky. Mr. Stanley III attended the Charlotte Military Academy, the University of Virginia, and served in the Air Force.
In other words, the stereotypical background of a spook. Established political family? Check. Military, university, and the Air Force? Check. The key manufacturer and distributor of the CIA’s favorite drug for decades? Check.
Yours truly started writing about Mr. Stanley III even before this blog, and as far as I know, the first and so far only writer to ever draw attention to his spooky background. Poor Mr. Augustus Owsley Stanley III then went and died in a car accident.
So from Ken Kesey’s original Acid Tests, to decades touring around America and the world with the Grateful Dead and manufacturing and distributing LSD for their fans, Augustus Owsley Stanley III was there from the beginning, to the putative end, of the LSD adventure, and given surprisingly positive coverage from the establishment media in the beginning. His background and his real name seem to have hardly been known or mentioned by much of anyone during that entire time.
So let’s review. We have acknowledged CIA agent Miles Copeland Jr. admitting to the CIA’s use of LSD. We have LSD Guru Timothy Leary known to have worked with the CIA, and now Augustus Owsley Stanley III, almost certainly similarly connected to these programs, as the main LSD manufacturer and distributor over the decades the CIA was known to be experimenting with LSD. We have Operation MK-Ultra, fed to the press by Operation Dormouse in order to distract attention from Project Artichoke, which the CIA had to cover up at all costs.
So what was Operation Artichoke? Interestingly, various pieces of Operation Artichoke have been part of the public record for decades, popping up in the press every few years. Of course, the name was never uttered, and the dots never connected. Sort of like with the Edward Snowden case. Edward Snowden didn’t tell us anything about the NSA that we didn’t know. He just released proof of what we already knew, thus confirming it. But anyone paying attention would have known all about what Edward Snowden is telling us, because the NSA’s various programs also pop up in the press every few years, but again, the names are rarely mentioned, and the dots are never connected.
So let’s connect some dots.
One of the most popular search terms that lead to this site is Miley Cyrus Illuminati MK-Ultra. There’s already a whole mythology based around these various CIA programs. Miley Cyrus – well, whoever makes her videos – puts these references into her songs and music precisely so we’ll talk about her. But maybe Miley Cyrus herself isn’t really as interesting as what is referenced in the videos.
But when you strip away the quasi-religious mysticism of the “Illuminati” you’re left with something a lot more obvious, but just as sinister. Don’t make the mistake of thinking this is all in the past. The story so far is just context. The story of Operation Artichoke is more about the present – and the future – than the past.
Now here’s where the story gets weird, and the bodies start piling up – literally.
This next part is where we learn why you Don’t Drink the Kool-Aid.
Literally – That’s not a figure of speech. Well, Flavor-Aid as the case may be. Talk about losing control of your brand.
So I’m reading radix journal about how the only sort of white identity that is allowed these days is that self-depreciating “OMG white people can’t dance amiright?” hipster SWPL snark, and they linked over to some clickbait trolling article on HuffPoBuzzfeed about 100 ways to tell you’re just a super uncool white, unlike all the Hep Negroes, Vibrant Mestizos, Math Genius Asians, and Holy Jews. So one of the ways you call tell if you are white is if you’ve ever defended Miley Cyrus over her cover of Dolly Parton’s Jolene.
I thought, what? Miley Cyrus covered Dolly Parton’s Jolene? I have to hear that right now. How did I miss this from two years ago? Anyway she does a really credible job, she actually does have a decent voice. Plus the video is so eco-hipster – talk about “implicitly white.” Anyway I finally got a chance to write about Miley Cyrus again – looking at the search terms that lead here, there are a lot of people very concerned that poor Miley Cyrus has been brainwashed by the Illuminati Overlords of the Music Business. Maybe one day I’ll finish writing Flogging Miley but if you haven’t figured it out yet (hint, the CIA brainwashes people with drugs and torture and has been doing it since the 1950s – plus they are the ones that import all of the cocaine) well, you can lead a horse to water, etc.
When I was a kid, the lyrics really struck me. It was how I pictured adult women, they go around stealing men from each other. The men, of course, are merely props for the drama and competition between women. Essentially, men are just how they keep score.
You could have your choice of men
But I could never love again
He’s the only one for me
Jolene, Jolene, Jolene, Jolene
I’m begging of you please don’t take my man
Jolene, Jolene, Jolene, Jolene
Please don’t take him even though you can
P.S. Don’t worry Miley you know you’re the only gal for me. Never mind that trashy K Flay girl, we were just talking I swear!
DISTRIBUTION: ALL ASSETS
A confidental informer that Hipster Central Command has recruited from inside the Music Industry Illuminati has delivered a top secret report about an outbreak of hipster racism at the Video Music Awards. Deep cover asset Miley Cyrus has done it again, covertly performing a minstrel show and has successfully appropriated over a dozen units of cultural capital from people of color.
I am recommending Agent — in — for a special commendation. All of us at Hipster Central Command wish to thank Agent — for his hard work and dedication to the cause. Hail, Victory!
Last night, as Cyrus stalked the stage, mugging and twerking, and paused to spank and simulate analingus upon the ass of a thickly set African-American backup dancer, her act tipped over into what we may as well just call racism: a minstrel show routine whose ghoulishness was heightened by Cyrus’s madcap charisma, and by the dark beauty of “We Can’t Stop” — by a good distance, the most powerful pop hit of 2013. A doctoral dissertation could (and will) be written on the racial, class, and gender dynamics of Cyrus’s shtick. [ed: oy vey where can I get some of that gelt?] Cyrus’s twerk act gives minstrelsy a postmodern careerist spin. Cyrus is annexing working-class black “ratchet” culture, the potent sexual symbolism of black female bodies, to the cause of her reinvention.